The Golden Mean is one of many names given to the system of measurement and design used by ancient artists, sculptures and architects to create highly aesthetic forms of unsurpassed beauty. The ugliness of so much 20th century architecture is due to the absence of spiritual proportion in favour of economy. In the schools I attended, scorn was encouraged rather than respect for the values of our ancestors.
The Golden Mean was considered by Pythagoras, the Egyptians, the Druids, and other ancient schools of wisdom, to be clear evidence of the mind of God at work in nature. It is present in all living structures. The human body was considered to be the measuring stick of the universe. Its proportions embody the canon of the “Phi* Ratio”. While the Phi, or Golden Ratio was formalized in mathematics, its natural counterpart was discovered by the monk Leonardo Fibonacci, who preceded Da Vinci by about 250 years. When Fibonacci studied growth patterns in plants he noted that their leaves emerge in a spiraling formation that demonstrates a significant angular and numerical sequence: 1 – 1 – 2 – 3 – 5 – 8 – 13 – 21 – 35 – 56, etc., where the next number is the sum of the preceding two numbers. This was a remarkable discovery as it synchronizes with the ancient math used to calculate the Phi ratio. This is why the ancients considered sacred geometry to be the Creators signature made visible in nature. From the spiral of a snail-shell to the spiral of the galaxy, the Fibonacci sequence is everywhere; even in our bones. This also applies to the study of crystal atomic geometry. Even our cells, from conception, grow in perfect geometric proportion.
Human anatomical geometry is said to be the measuring rule of the universe. The large green circle surrounding our man on the left side of the picture below corresponds to the diameter of the Earth, while the small circles of the “Flower of Life” (also called the “Cosmic Fish Net”) which make the human Merkaba, correspond in exact proportion to the diameter of the moon. The Flower of Life pattern is the matrix of Metatron’s Cube; which is the foundation of all atomic phenomena and houses the Platonic Solids: which are the at the heart of all crystal geometry. This is a geometrically verifiable fact. It is also somewhat intriguing that the ancients knew to a high degree of accuracy the circumference and diameters of the Earth and the moon extrapolated from, amongst other things, study of the human form. They did not think that the Earth was flat. This notion was enforced during the dark ages. The centre of the upper circle, where the apex of the male tetrahedron ends, is the exact location of the causal chakra. To repeat, the large circle corresponds to the circumference of the earth and the small circles to the circumference of the moon when the human body is measured with sacred geometry.
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© Crystal Gateways 2012
- 1.618 Phi, The Golden Ratio, God Creator of Heaven and Earth (jhaines6.wordpress.com)
- Mona Lisa – Da Vinci’s Use of Sacred Geometry (themonalisablog.wordpress.com)
- The Flower of Life: Sacred Geometry (gammaraywordplay.wordpress.com)
- The mystery behind “The figure of the Lord” (rianputra84.wordpress.com)
- Fibonacci Sequence and Golden Ratio (slideshare.net)
- The Planet is Ascending and So are You-Part III (livingbyintuitionandinspiration.wordpress.com)
- Fractal Time (theabysmal.wordpress.com)
- Golden Ratio (freeishtyle.wordpress.com)
- Beauty has a number (redletterbelievers.blogspot.com)
- Acropolis & the Surrounding Area (Part 1) (explorehellas.wordpress.com)